Review: Kelsey Waldon covers weighty topics on new album

Kentucky singer-songwriter Kelsey Waldon’s newest album on Oh Boy Data can pay homage to a number of musical heavyweights, together with the label’s founder, the overdue John Prine

Kelsey Waldon, “They will By no means Stay Us Down” (Oh Boy)

Kelsey Waldon’s “They’ll By no means Stay Us Down” is a serviceable homage liberate, because the proud Kentuckian covers everybody from Nina Simone to Neil Younger, and the whole thing from union exertions to emotions of freedom.

It’s her personal voice and artistry, on the other hand, that ceaselessly struggles to polish even though.

Ultimate 12 months Waldon become the primary artist to signal to John Prine’s Oh Boy Data in 15 years when the overdue songwriter took Waldon below his wing. Since then Waldon has accomplished Prine proud, however she’s doesn’t seem to be aiming for radio play with those rather listless quilt tracks.

Younger’s “Ohio” is superbly treated by means of Waldon’s number of achieved musicians, however her vocals have hassle breaking during the sonic wall and are available off as an afterthought. She fails to slice via.

Waldon’s model of Simone’s “I Want I Knew How It Would Really feel to Be Unfastened” falls in a similar way brief. The peppy nation tempo does not ship the fervour the music merits. On “The Regulation Is for Coverage of the Other folks,” a music penned by means of Kris Kristofferson, Waldon by no means rather shall we her voice upward push to a degree that may fit the fireplace of the lyrics.

Waldon in any case shines on “They’ll By no means Stay Us Down,” a pro-union music written by means of Hazel Dickens within the mid-1970s for the Oscar-winning documentary “Harlan County, USA.” This obviously rings particular to Waldon and her emotions for her house state, and this bluegrass composition and tempo fits her easiest.

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